Iphigenie, her brother Orest, and her sister Elektra are all members of the Tantalus, which is denoted by a Gtter Fluch. In every generation, the Tantalidenfluch results in violence and murder within the family. Since Orest, in order to avenge his father's death, has kidnapped his mother, he is pursued by Furien from the underworld. He is pursued to the edge of the Wahnsinn. The God Apoll promises to annihilate him if Orest brings his sister home to Griechenland. With the intention of rabbing the Statue of Gttin Diana (alternative spelling: Diane), Apoll's sister, Orest and his friend and Vetter Pylades reach the island's entrance.
The good triumphs.
Iphigenie tritt beherzt zwischen die Streithen und zhlt alle Indizien auf, die für ihre Ehrlichkeit sprechen und den Fremden als ihren Bruder Orest ausweisen sollen: das kleine Mal in der rechten Hand, die Schramme über die Augenbraue, die hnlichkeit mit dem Vater, und nicht zuletzt Iphigenies Wiedersehensfreude. Finally, Thoas demonstrates that he is convinced of the truth, but one more concern remains, namely the planned destruction of a taurian holy site. However, Orest has a Lsung parat for the Gl14ck: He and Pylades misinterpreted the Orakelspruch. He is not referring to the image of Diana, the Apoll's sister, but to the image of Diana, the Orest's sister and Diana's priestess. Not the image, but Iphigenie is to be brought to Greece. All are in agreement with this interpretation, and the path to liberty is now open to the three Greeks. However, it is not until Thoas bestows eternal friendship on Iphigenie that they embark on the journey to their homeland.
Thoas, the island's king, is fiercely protective of her and wishes to inherit her. However, an Heirat would imply that Iphigenie would remain permanently on the island. As a result, the befuddled Iphigenie begs Princess Diana to reunite her with her family. When the king approaches Iphigenie's hand, she withdraws. She justifies her decision by stating that she has a yearning for her homeland and that her family is suffering from a flu. The Fluch forces the family's descendants to unite against one another. However, as the King becomes more zornish, Iphigenie asserts that only the Gttin Diana has a right to her life and may make decisions about it. Following that, Thoas reintroduces the Ablehnung, but reintroduces the previously abducted Humanopfer as a penalty. Iphigenie is left with no choice than to betray Diana.
Additionally, Iphigenia's untimely death triggered a Kettenreaction in the whole Gtter-Family, resulting in the death of several family members (Fluch der Gtter). Thus, Iphigenie's mother Klytaimnestra returns her husband, who allegedly instigated the murder. As a result, Iphigenie's two daughters approach their mother. They now fear, as the family's only survivor, that they, too, will fall victim to the Fluch and seek an oracle on how to make the by the Gttern pronounced Fluch r14ckgngig. As a response to the Orakel, the two are to reclaim their sister Iphigenie von Tauris (who, after all, wishes for nothing else and is imprisoned there).
Iphigenie Auf Tauris Zusammenfassung Aufzug 1
Additionally, the circumstances surrounding the creation and reception of this play (dating back to Goethe's time) are fascinating, and hence will not be discussed further. For the purpose of understanding this drama, knowledge of its mythological underpinnings is required, as is an understanding of its narrative structure, which is strongly influenced by classical drama, as shown. Before the work's actual focus - the analysis of Iphigenie's monologues - begins, the reader will get an extensive contents listing with many notable text passages. This is intended to facilitate entry into monologue analysis, when just a brief annotation is required to orient oneself.
In the third appearance, King Thoas and Iphigenie appear. Thoas wants to know why she perpetrates the victimization, but she evades this question deftly. Pltzlich gewinnt das, was sie als reine Seele bezeichnet, Oberhand über sie, and she entrusts ihr Schicksal, as well as that of her brother and his friends, to Thoas. In the fourth and fifth appearances, almost all of the Beteiligten Thoas, Iphigenie, Orest, and Pylades appear. There is a threat of famine, which Iphigenie may avert in her sixth appearance by persuasive words. However, another impediment stands in their way: Thoas cannot let them to rauben the Gtterbild for which they were originally intended. Orest asserts that this is an Irrtum, since the reference is not to the Apollo's sister, but to the Orest's. Thoas may now draw all three, Iphigenie, Orest, and Pylades, without worrying about his Gtterbild.
âLet me for the first time with a pure heart / Have pure joy in your arms!â (Orest zu Iphigenie, stanza 66) Pylades makes an attempt to retten what remains to be retten. He spoke harshly to Iphigenie in order to destroy her Skrupel: the Notlage, into which she had fallen, justified the betrayal of Thoas. However, Iphigenie is now adamantly opposed. Each L14ge, regardless of its kind, is a serious offense against her, and she is obligated to rehabilitate herself and others around her by heinous means.
The Priestess shivers in anticipation of being bound to Thoas. They want to avoid being confined on the island at all times. As a result, she brings up the argument of her precarious origins, which has little significance for Thoas in light of what has happened to Tauris since Iphigenie arrived: âSo fehlt es doch, since du bei uns wohnst/Und das Recht eines frommen Gastes geniesst/An Segen nicht, der mir aus oben kommtâ (S. 17). Iphigenie begins by exaggerating the bad characteristics of the Tantalus' descendants: âRat, Migung, Wisdom, and Forbearance/Verbarg er ihrem scheuen d14sternen Blickâ (S. 19) und w14tend sollen sie sein (vgl. S. 19). She narrates the story of...
Iphigenie Auf Tauris Zusammenfassung Aufzug 3
Vers 1094–1117 and 1712–1766 Iphigenie auf Tauris Hausaufgabe The first text excerpt is located in the third section, as the first appearance. Orest und Iphigenie nehmen a diesem Auftritt teil. However, she is unaware that she is cohabiting with her brother. This she does only after she inquires about the well-being of Agamemnon's children. Orest delivers her from Rachemord to Klytmnestras through him and Agamemnon's assassination. Iphigenie is deeply moved and informed by the newsâ Vers 1094–1117 and 1712–1766 Iphigenie auf Tauris Hausaufgabe The first text excerpt is located in the third section, as the first appearance. Orest und Iphigenie nehmen a diesem Auftritt teil. However, she is unaware that she is cohabiting with her brother. This she does only after she inquires about the well-being of Agamemnon's children. Orest delivers her from Rachemord to Klytmnestras through him and Agamemnon's assassination. Iphigenie is deeply moved and informed by the newsâ
âMich habe sie zum Schlächter auserkoren, / Zum Mister meiner doch verehrten Mutter, / Und eine Schande, die schndlich rchend, mich / Durch ihren Wink zu Grund' gerichtet.â (Orest Über die Geschwister, S. 38) While Iphigenie is distracted by her cleverness, Arkas enters. The Bote of King Thoas has arrived in order to earn Iphigenie's Heiratsantrag. He commends the Priesterin for the good works she has accomplished on Tauris so far, including the previously mentioned acquisition of a grandiose seat: For a long time, Eindringlinge coveted the king's lone son. Thoas then swore a curse: Diana would be impregnated by every stranger who landed on the island. However, Thoas was persuaded by the Priesterin's feminine allure to execute this heinous Rachekult. According to Arkas, the human race would perish if not for the Heirat. However, the Appell is ineffective, and Iphigenie sees only her reservations: In the shadow of a man, she remained as unfree and unlucky as ever, since the Exile constantly reminded her how unfamiliar her surroundings are.
They can act so morally in this âUtopieâ as Thoas âWeimaranerâ (Martin Walser) is. She discharges Thoas' mute humanity, which makes it much easier for Iphigenie to assign blame to him, since â in the case of tatschliche victimization â er es wäre, der das kategorische Imperativ nicht erfüllte.
Additionally, Iphigenia's untimely death triggered a Kettenreaction in the whole Gtter-Family, resulting in the death of several family members (Fluch der Gtter). Thus, Iphigenie's mother Klytaimnestra returns her husband, who allegedly instigated the murder. As a result, Iphigenie's two daughters approach their mother. They now fear, as the family's only survivor, that they, too, will fall victim to the Fluch and seek an oracle on how to make the by the Gttern pronounced Fluch r14ckgngig. As a response to the Orakel, the two are to reclaim their sister Iphigenie von Tauris (who, after all, wishes for nothing else and is imprisoned there).
Iphigenie Auf Tauris Zusammenfassung Aufzug 4
Thoas, the island's king, is fiercely protective of her and wishes to inherit her. However, an Heirat would imply that Iphigenie would remain permanently on the island. Die verzweifelte Iphigenie bittet deshalb die Göttin Diana, sie wieder mit ihrer Familie zu vereinen. When the king approaches Iphigenie's hand, she withdraws. She justifies her decision by stating that she has a yearning for her homeland and that her family is suffering from a flu. The Fluch forces the family's descendants to unite against one another. However, as the King becomes more zornish, Iphigenie asserts that only the Gttin Diana has a right to her life and may make decisions about it. Following that, Thoas reintroduces the Ablehnung, but reintroduces the previously abducted Humanopfer as a penalty. Iphigenie is left with no choice than to betray Diana.
When Pylades and Arkas arrive, Thoas will end the fight against the remaining Griechen on the ship.
Erneut kann Iphigenie einen bewaffneten Zweikampf verhindern. You and Orest address Thoas. He is to ensnare her in order to avert more Tote in her family. He complies with her wishes. Rather than rauben the Diana image, Orest and Pylades go to Greece with Iphigenie and thereby fulfill the Orakel's Weissagung.
1786 Verfassung (Erstpublikation 1787; im Blankvers (ungereimter f1nfhebiger Jambus, nach Vorbild Shakespeares â> spielte im 18. und 19. Jhd. eine zentrale Rolle in deutschen Dramen) - allein die Entstehungsgeschichte illustriert, how concerned Goethe was with the form and harmony of the work; Blankvers effected a significant shift in the dramatic speaking situation: The monologues and dialogues in the play lose their naturalness as a result of their uniform construction. Gattung: Theaterstück Klassik: Epoche (1786-1805) 5 Acts with a total of 20 appearances (refers to Greek tragedy theory and French classical music) The location and time of the action are as follows: Tauris: Krim-Halbinsel am Schwarzen Meer - dort lebte ein skythisches Volk = barbarische Taurier, Drama in der antiken Sagenwelt
âOn Erden war in unserem Haus der Grub des Mordes / Und das Geschlecht des alten Tantalus / Hat seine Freuden nachts.â (Orest, 1964, p. 64) Spter appears Orest and does not hesitate for a moment to tell Iphigenie the truth. Seine inner conflicts, his ancestry, and even his mother's death are all revealed to her. Despite this, Iphigenie is overjoyed to have found her brother and recognizes him. Orest, on the other hand, is incapable of sharing his sister's joy. He suffocates himself in the Wahn, fleeing from the Gttern and delivering their wrath. Entkrftet sinks down to the ground. Iphigenie eilt davon, um Unterstützung zu erlangen.
